Sparks

Another daily writing story: The prompt this time? Write for at least 300 words about a boat, and a fire. Focus on creating a compelling setting.

Again, thanks to http://750words.com/ and http://chaoticshiny.com/wegen.php

I will say, it’s liberating to get the prompt and then go without building or tuning (or even editing, so don’t go berserk if you find billions of errors). All of these I do will have maybe a few minutes of planning. Perhaps I could record one someday. Anyone interested?

Enjoy the story. I had fun.

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750 Words? And Random Writing Prompts? What?

Hello, people who are still sticking around. I’ve been writing again, but not as much. The job hunt is rough, but I’m keeping busy. How? I’ve been writing using a site called 750words.com. The goal? Just 750 words a day. Simple, effective, easy. But how do I get my ideas? How do I fight writer’s block? Another site: Chaotic Shiny. It’s a site with random generators, and I use their Writing Prompt generator to try to bash out something with no planning or editing. Not always easy, but doable. So I’ve decided to post a few of my exercises until I come up with useful posts again. And I don’t always stick to the 750, as I tend to go over. But at least 750 is the goal.

Here’s Friday’s prompt: Write for at least 700 words about a weapon, and a locket. Focus on distinguishing characters through dialogue.

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A Wild Plot Draws Near: Separate or Combine?

Howdy all. How’s it going?

I suppose this can be the new feature of my blog: A Wild Plot Draws Near. I think I’ll try it out as a sounding board for my current problems with my story. And by sounding board, I mean “Talk to myself.”

Here’s my story’s current problem. I’ll refer to characters as generic as possible. Just because I say wizard doesn’t mean it’s like, Gandalf or anything. Just generic terms.

So, I’m almost to the big conflict of my story, and I realize that it’s not going to work. My two groups of characters are about to meet and duke it out. Then the main group will go take care of the monster.

But then what? How do I subdue the second group while the first group goes after them? The first group can’t split up realistically. I can’t let the newbie guard four people, as he’s got some investment to the other group and they could probably trick him. The wizard (more or less a wizard) can’t guard them, as he’s the only one capable of taking down the monster solo. The monster would definitely eat the newbie. And that’s not a good idea, as I plan on having him around for a good while. As for the third person, well, she’s still one person. She could probably take care of one or the other, but not with a decent success rate.

So, why not leave them outside and tied up? Well, that’s tricky. Leaving four conscious people that are probably capable of escaping and ambushing you is also a bad idea.

Why not kill Group B? Well, not a real option, honestly. Group B is over half of the characters in the majority of this book. Just… no.

So how the hell do I take care of this problem?

There’s another problem that needs help, too. At the rate I’m going, my story won’t clock in at 50K. So at the current pace, the story will fall flat soon.

Two problems. Can I kill it with one shot?

I think so.

Group B sends in one member to investigate Monster Lair. Groups Collide. Group A wins fight. Group B’s scout comes back. Monster’s missing. Signs of a struggle. Monster… abducted?

Now I’ve added, essentially, a third act. Do the groups combine to chase down the monster? And who abducts a monster, anyway? Do they have ties with the main group, or just a coincidence?

SHADOWY MYSTERY ABOUNDS! DUN DUN DUUUUNNNN!!!

We’ll see how it goes from here, but I think it can work.

So, does this give too much of the plot away? Is this the type of stuff I should save as notes and annotations? Or is this vague enough to not spoil anything?

Frankenstein Yourself a Character: What The Heck is Evil?

As February begins, so shall I.

What is evil? Is it just the opposite of good? But what is good? Isn’t this all in the eye of the beholder?

Yes.

And no.

Evil is complicated and simple. How is this possible? Well, let me pose a question: Would a man who kills a child be considered evil? Oh, most definitely. BUT DETAILS! The child was merely a demon in disguise bent on eating the world’s population of kittens/puppies/bunnies (depending on your cute preference). So is the man’s act good now? What if the child didn’t KNOW he was a demon in disguise and was a sleeper agent of the demon armada, and for all intensive purposes wouldn’t become demonic until the child’s eighth birthday, but for all intents and purposes was a normal child until midnight on that particular date, and the man kills him before then because the demon will be unstoppable when it’s eight years old?!!

Well, damn. That’s confusing. Sure, he saved the souls of <insert whatever cute animal you picked>s everywhere, but to do so involved the death of a child ignorant of his future.

That’s the fun (hear me out) of evil. It’s the difference between that evil kid at the end of “Pet Sematary” and… well, that same kid but at the beginning of “Pet Sematary.” Subtle differences.

So what does this mean for you?

Well, your antagonist might need to be evil.

I’m not talking that your main character thinks that what their adversary is doing is wrong while the adversary thinks they’re doing something for the sake of good. I’m talking about your foe burning down a village because they think the screams are hilarious. The bad guy kills Mufasa to become king. Your antagonist opens a portal to an alternate dimension for the sake of wiping out all of humanity to usher in a new age of darkness while he receives ultimate power for doing so (but will probably be killed immediately, as is the usual fate of people opening portals to realms for the promise of power. You’d think they’d learn).

Evil comes in levels, is what I’m trying to say. You with me?

Most will argue that “evil for the sake of evil” is unreasonable. That your villain needs depth and motivation and a “Why is he evil?” Well, this argument brings up many good points. Everyone likes the tragic villain that was twisted into the dark entity they are today. One of my favorite villains, Dracula, is a very good example. But I’m not talking of the Count Dracula in Bram Stoker’s famous book. Oddly enough, I speak of the Dracula from the 1992 Coppola Film (where he was played by Gary Oldman). In the Dracula is a monster seeking to move his place of power from Transylvania to London where he obsesses over Keanu Reeve’s girlfriend, the chick from Beetlejuice. So, yeah. It’s just like the book except for one little thing: Dracula’s humanity. If you’ve never seen it, at least check out the intro *coughyoutubecough*. His girl is dead and damned, and he renounces his faith to become damned for revenge. In the original novel, he just seems to be evil because… I don’t know. He’s bored. Probably. It’s been a while since I read it.

So we have a tragic hero of a villain. Cursed, he plans on destroying all of humanity, because salvation is impossible for him. Most would agree that that could be considered a “good” villain.

But what about “evil for evil’s sake?” Are there any good villains who just seek to destroy? Ones that aren’t warped and twisted from the path of righteousness but started off 100% total bastard?

You bet there are.

And it’s not The Devil. I know, right? You’d think HE would be evil all the time. But he’s already a fallen angel. So he has a tragic backstory (and a good one, too, if you’ve slogged through “Paradise Lost” (and don’t get mad that I said “Slogged.” It’s not an easy read)).

A good villain is one that you can find sympathy for. Someone that an audience kind of likes when he’s on screen (or page). The Lord Ruler of the Mistborn Books (by Brandon Sanderson) seems evil at first. And he is. Totally. But then you find out WHY he did things the way he did and he falls on the side of “Well, he did small evil to prevent BIG evil.” Much like my kiddie-demon murder example (SAVE THE PUPPIES/KITTENS/OTTERS/ETC!!).

A great villain, though? A great villain is one that you HATE. A great villain is someone that, not only do you want your protagonist to succeed, you want this villain to pay for what they’ve done with every fiber of your being. A great villain is one that makes you shocked that someone could do that to a human being, and no humanity can be given to make them right.

Who is my “great villain?” Who did I immediately say “Oh, he better not win a damn thing!”?

The Grey King from “The Lies of Locke Lamora” (Scott Lynch). He does something very reprehensible to a character that I instantly liked. No spoilers, but it’s good. They even give him a small tragic backstory, and it made me say “Nope. Don’t care. Hope he dies in a fire.”

And again, I tangent. Even THEN he’s still not “Evil for the sake of evil.”

This is harder than I thought.

So who, ultimately, fits that criteria?

Easy.

The Dark One from Wheel of Time (Robert Jordan and, more recently, Brandon Sanderson). At the moment of its creation, the Dark One was the embodiment of all that is wrong and hateful (and chaotic), and imprisoned. No backstory. Just *poof* “Hi I’m evil immediately!” *Prison*

…total cop out, right?

But It is the best one I can think of after stalling for so long (and I capitalize “It” so I don’t have to type “The Dark One” a billion times, and I’m pretty sure It’s genderless). So what does It do as a villain? Corrupts the male half of magic. Unleashes famine through an extended winter, then an extended summer. Infests and spoils food merely by EXISTING. Ultimate goal? Destroy all of reality as soon as It’s free.

Evil for evil’s sake. And a good villain. Not a great one, but good.

So do not think that evil is simple. Evil is complex. Evil is malevolent. Evil is dark and twisted. But Evil is also human.

I’ll discuss that more later. I’ve rambled too long.

What are some of your favorite villains?

Frankenstein Yourself a Character: Consume and Build

Hello again. I missed posting yesterday, but I don’t care. I was busy watching 30 Rock and consuming snacks. The problem with a long day in a library is that it usually always leads to going to the bar that’s barely two minutes away when I’m done. I usually can write no more about 8 or 9 PM. After that, my brain just barely functions anymore and I need a few cold ones to take the edge off. People who know me even say that I seem like a different person after I’ve just left the library and until about ten minutes after my first drink.

So if one is good, two is better, right? And if two is better, then four is. . .

In any case, the next day is bad for my motivation. I know deep down that I must work on “The Nightmare Paper” but I just can not find that part of me that cares and I wind up sitting in the dark without a shirt on and consuming calories all day. No joke, hangover day for Goodwin is a long, headache-driven period of starvation. It’s mainly why I usually choose some variety of Asian food to consume, as its cheap and filling, with carbs, starches, sugars, and delicious salts. Yet after I eat an order of Beef & Broccoli, soup, and an appetizer, I still find myself munching on gummy bears and catching up on the week’s TV that I missed (Oh, Community. I would gladly sacrifice another show so that you may live. In my mind, Whitney’s already bleeding on the altar).

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Frankenstein Yourself a Character: Motivation

Taking a page from my friend and fellow-writer Kristin (Obligatory Link To Her Blog), I’ve decided to step up my posting here. I should be keeping this up, anyway. Plus, I keep spouting this “I am writer lol” stuff and I don’t think I really show it off that well since the majority of the posts are about what I listen to when I supposedly write.

Also, I’m still working on what I have now dubbed “The Nightmare Paper” for school and I need a little break to shift my brain a bit. Also, I think “The Nightmare Papers” will also be the name of a new project, because I like those words together like that.

So here’s some stuff I think about when I work on creating a character.

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NaNoWriMo 2011: Calling It. Time of Death: 4:34 PM.

Well, November is basically done with. 4 days left to write, but I won’t be able to finish. It’s a blow to my pride, really, but school kept me away. Every amount of writing I’ve done has been educational and not recreational. Things will be better next year when I’m not working on 30 pages of researched nonsense.

What have I learned? You really should write every day. I didn’t, thus I failed my own advice :)
What’s next? Well, the story is next. I may not have hit 50k, but that doesn’t mean I’m stopping. I’m still adding on to it bit by bit until it’s finished. If anything, the pressure is off because I no longer worry about it being long enough. Now the story will just finish when it’s done.

Next up, December: Graduation and, hopefully, completion of the first story in my series.

NaNoWriMo 2011 – The Ball is Rolling (and I don’t know why)

I’ve surpassed my wordcount from last year. That’s not saying much, and seeing as it’s the 10th day, I should have double what I have now. But I’m continuing to learn new things as I go.

Characters have changed, people are more interesting, there’s an actual villain instead of a mysterious monster attacking people. So far, so good.

Trying to write Fantasy is interesting. You have to sometimes explain things instead of just diving in and going “Well, he used a Scrifflenob on that pack of Gorthinlags” and then have every character react accordingly. Sure, the characters may know what ‘Scrifflenobs’ and ‘Gorthinlags’ are, but readers don’t. I always feel this urge to explain things, but I don’t say you have to. Anyone who has read classic science-fiction has run into the whole “Well, the author isn’t going to explain what the hell this is so I’ll just have to pretend I know what’s happening.” Basically, you get to act like me when I have to hear my friends discuss fantasy football or baseball. I just chime in with “SPORTS” and “The rest of the world calls American Football ‘soccer.’”

Ahem.

So yeah. It’s not like writing modern fiction where you don’t have to go into detail about an airplane or explain the laws of aerodynamics. People already grasp a knowledge of things that exist. But when you make things up? Well, I don’t want to be that guy who says “oh, this happens because MAGIC!!!”

Tonight, I had to explain a type of magic spell. And then I had to explain why it didn’t work on one person. I think I accomplished it rather well, considering I did almost 0 world-building since all of my notes are character history and monster descriptions. But so far, my magic seems to not be a direct ripoff of anything specific. We’ll see when it gets there.

By the end of this, I hope to god I don’t realize that I just rewrote jedi into wizards.

NaNoWriMo 2011: SOON.

Happy Halloween.

Now that that’s out of the way, midnight begins the great experiment that is National Novel Writing Month. Are you ready?

I’m not.

My outline is miserable, and I’m currently working on a Capstone paper for my final class (if you don’t know what that is, just believe me when I say it’s 20-30 pages of boring). I have maybe four or five characters in this story that are actually interesting, and I know for a fact that it will not be 50,000 words long. So I’m thinking of working on the outline for the second part of my series while I write part one. Easy. But enough about my stress and misgivings. Here’s some advice to help break through your own demonic walls.

  • WRITE. EVERY. DAY.
    • Well, that’s an obvious one. But it’s true. Just write. Write everything. Doesn’t have to be chronological (though it helps me most of the time). Just do it. 1667 words a day and you’ll be smooth sailing by Thanksgiving. Just a head’s up, though: 50K is not really long enough for a novel. There’s a good chance that you’ll hit 50K and say “Wait, I’m not done yet!” Good for you! Keep going until it’s finished!
  • Don’t Revise
    • What?! You read what you wrote yesterday and you don’t like it? TOO BAD. Don’t change it. Otherwise you’ll spend the whole month just nitpicking everything and on the 31st you’ve just rewritten your first day’s words 30 times. It’s tough, I know. The biggest problem with my current idea is that I’ve gone back and changed everything so much that I’m just starting over from scratch tomorrow and disregarding anything I’ve written on it before. So if you want to make a change, make a note and move on. Hell, pretend you made the change but let yourself be reminded to fix anything that needs to be fixed in December (or later).
  • This is a First Draft
    • What does that mean? Well, you aren’t going to wake up in December and just submit this to a publisher, are you? Or just say “Well I typed 50k and got to the end of my story so i’ll just make it an ebook lol.” Shame on you if you thought this was over. You just wrote a book (a very, very, very short book). Now you get to fix it. NOW you get to make it perfect! Everything that bothered you (and I hope you wrote it down instead of fixing it) can now be fixed. Names can be changed, characters can be unwritten, mistakes can be rectified (or added), and every little grammatical problem you notice gets repaired. Because you never use your first draft as your final draft. Now you get to revise and rewrite and reread it. The goal of NaNo isn’t to make something beautiful. It’s to finish with 50k words. What you do after is up to you.
  • Have Fun
    • Most importantly, don’t kill yourself doing this. You’re not getting paid to do this, so try to have fun and finally get that story out of your brain. If something big happens in real life, you can stop and handle it. But still try to write every day. It might help relieve any real-life stress. But remember, again, this is all for fun.
And that about does it. There are other sites around that give great (better) advice than I, sure. But this is just how I approach it. Do what works for you. But if you’re trying to be a serious writer, remember step one. And it applies to every day. Ever. Not just November. WRITE. EVERY. DAY.
And have fun. Or else.
Also, here’s me at NaNoWriMo.org. You can be my writing buddy and see actual updates on my wordcount before anyone else.
Unless they look at the badge that’s displayed on every page.

Writing Playlist For October 29, 2011 – Ghibli!

Happy Halloween weekend, boys and ghouls!

. . . sorry.

I’m adjusting well to the new site. I had less to bring over here than I thought, go figure. A guy thinks to himself “Well, I must have posted all sorts of interesting things at the old place, I must bring them to show off at my new website!” And then that same man goes and finds boxes full of cobwebs and ramblings over stories that never actually existed. Ha. Oh well. If I have nothing old, then I’ll just have to bring something new.

I’ve never been very good at writing in silence. Being trapped with nothing but my own thoughts running through my head just doesn’t do it for me. I almost have to distract myself from myself to accomplish anything. Right now, in fact, I took a few minutes to change over to another album because the last one finished. I don’t think I’m alone in this. Even while reading for school, I just could not bring myself to read in silence. Anything would get my attention. I’d eavesdrop on people or just stop working and look around blindly. So the headphones went in and work began.

Not just any music would do, though. If the music had vocals, it would get my attention. Instrumentals became my flavor of choice. I will admit, sometimes I listen to vocals for certain things, but that’s a rare and case-by-case basis. So, I think I might take some time to bring up a highlight from my current writing playlist.

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