Frankenstein Yourself a Character: What The Heck is Evil?

As February begins, so shall I.

What is evil? Is it just the opposite of good? But what is good? Isn’t this all in the eye of the beholder?

Yes.

And no.

Evil is complicated and simple. How is this possible? Well, let me pose a question: Would a man who kills a child be considered evil? Oh, most definitely. BUT DETAILS! The child was merely a demon in disguise bent on eating the world’s population of kittens/puppies/bunnies (depending on your cute preference). So is the man’s act good now? What if the child didn’t KNOW he was a demon in disguise and was a sleeper agent of the demon armada, and for all intensive purposes wouldn’t become demonic until the child’s eighth birthday, but for all intents and purposes was a normal child until midnight on that particular date, and the man kills him before then because the demon will be unstoppable when it’s eight years old?!!

Well, damn. That’s confusing. Sure, he saved the souls of <insert whatever cute animal you picked>s everywhere, but to do so involved the death of a child ignorant of his future.

That’s the fun (hear me out) of evil. It’s the difference between that evil kid at the end of “Pet Sematary” and… well, that same kid but at the beginning of “Pet Sematary.” Subtle differences.

So what does this mean for you?

Well, your antagonist might need to be evil.

I’m not talking that your main character thinks that what their adversary is doing is wrong while the adversary thinks they’re doing something for the sake of good. I’m talking about your foe burning down a village because they think the screams are hilarious. The bad guy kills Mufasa to become king. Your antagonist opens a portal to an alternate dimension for the sake of wiping out all of humanity to usher in a new age of darkness while he receives ultimate power for doing so (but will probably be killed immediately, as is the usual fate of people opening portals to realms for the promise of power. You’d think they’d learn).

Evil comes in levels, is what I’m trying to say. You with me?

Most will argue that “evil for the sake of evil” is unreasonable. That your villain needs depth and motivation and a “Why is he evil?” Well, this argument brings up many good points. Everyone likes the tragic villain that was twisted into the dark entity they are today. One of my favorite villains, Dracula, is a very good example. But I’m not talking of the Count Dracula in Bram Stoker’s famous book. Oddly enough, I speak of the Dracula from the 1992 Coppola Film (where he was played by Gary Oldman). In the Dracula is a monster seeking to move his place of power from Transylvania to London where he obsesses over Keanu Reeve’s girlfriend, the chick from Beetlejuice. So, yeah. It’s just like the book except for one little thing: Dracula’s humanity. If you’ve never seen it, at least check out the intro *coughyoutubecough*. His girl is dead and damned, and he renounces his faith to become damned for revenge. In the original novel, he just seems to be evil because… I don’t know. He’s bored. Probably. It’s been a while since I read it.

So we have a tragic hero of a villain. Cursed, he plans on destroying all of humanity, because salvation is impossible for him. Most would agree that that could be considered a “good” villain.

But what about “evil for evil’s sake?” Are there any good villains who just seek to destroy? Ones that aren’t warped and twisted from the path of righteousness but started off 100% total bastard?

You bet there are.

And it’s not The Devil. I know, right? You’d think HE would be evil all the time. But he’s already a fallen angel. So he has a tragic backstory (and a good one, too, if you’ve slogged through “Paradise Lost” (and don’t get mad that I said “Slogged.” It’s not an easy read)).

A good villain is one that you can find sympathy for. Someone that an audience kind of likes when he’s on screen (or page). The Lord Ruler of the Mistborn Books (by Brandon Sanderson) seems evil at first. And he is. Totally. But then you find out WHY he did things the way he did and he falls on the side of “Well, he did small evil to prevent BIG evil.” Much like my kiddie-demon murder example (SAVE THE PUPPIES/KITTENS/OTTERS/ETC!!).

A great villain, though? A great villain is one that you HATE. A great villain is someone that, not only do you want your protagonist to succeed, you want this villain to pay for what they’ve done with every fiber of your being. A great villain is one that makes you shocked that someone could do that to a human being, and no humanity can be given to make them right.

Who is my “great villain?” Who did I immediately say “Oh, he better not win a damn thing!”?

The Grey King from “The Lies of Locke Lamora” (Scott Lynch). He does something very reprehensible to a character that I instantly liked. No spoilers, but it’s good. They even give him a small tragic backstory, and it made me say “Nope. Don’t care. Hope he dies in a fire.”

And again, I tangent. Even THEN he’s still not “Evil for the sake of evil.”

This is harder than I thought.

So who, ultimately, fits that criteria?

Easy.

The Dark One from Wheel of Time (Robert Jordan and, more recently, Brandon Sanderson). At the moment of its creation, the Dark One was the embodiment of all that is wrong and hateful (and chaotic), and imprisoned. No backstory. Just *poof* “Hi I’m evil immediately!” *Prison*

…total cop out, right?

But It is the best one I can think of after stalling for so long (and I capitalize “It” so I don’t have to type “The Dark One” a billion times, and I’m pretty sure It’s genderless). So what does It do as a villain? Corrupts the male half of magic. Unleashes famine through an extended winter, then an extended summer. Infests and spoils food merely by EXISTING. Ultimate goal? Destroy all of reality as soon as It’s free.

Evil for evil’s sake. And a good villain. Not a great one, but good.

So do not think that evil is simple. Evil is complex. Evil is malevolent. Evil is dark and twisted. But Evil is also human.

I’ll discuss that more later. I’ve rambled too long.

What are some of your favorite villains?

Frankenstein Yourself a Character: Consume and Build

Hello again. I missed posting yesterday, but I don’t care. I was busy watching 30 Rock and consuming snacks. The problem with a long day in a library is that it usually always leads to going to the bar that’s barely two minutes away when I’m done. I usually can write no more about 8 or 9 PM. After that, my brain just barely functions anymore and I need a few cold ones to take the edge off. People who know me even say that I seem like a different person after I’ve just left the library and until about ten minutes after my first drink.

So if one is good, two is better, right? And if two is better, then four is. . .

In any case, the next day is bad for my motivation. I know deep down that I must work on “The Nightmare Paper” but I just can not find that part of me that cares and I wind up sitting in the dark without a shirt on and consuming calories all day. No joke, hangover day for Goodwin is a long, headache-driven period of starvation. It’s mainly why I usually choose some variety of Asian food to consume, as its cheap and filling, with carbs, starches, sugars, and delicious salts. Yet after I eat an order of Beef & Broccoli, soup, and an appetizer, I still find myself munching on gummy bears and catching up on the week’s TV that I missed (Oh, Community. I would gladly sacrifice another show so that you may live. In my mind, Whitney’s already bleeding on the altar).

(more…)

Frankenstein Yourself a Character: Motivation

Taking a page from my friend and fellow-writer Kristin (Obligatory Link To Her Blog), I’ve decided to step up my posting here. I should be keeping this up, anyway. Plus, I keep spouting this “I am writer lol” stuff and I don’t think I really show it off that well since the majority of the posts are about what I listen to when I supposedly write.

Also, I’m still working on what I have now dubbed “The Nightmare Paper” for school and I need a little break to shift my brain a bit. Also, I think “The Nightmare Papers” will also be the name of a new project, because I like those words together like that.

So here’s some stuff I think about when I work on creating a character.

(more…)

NaNoWriMo 2011: SOON.

Happy Halloween.

Now that that’s out of the way, midnight begins the great experiment that is National Novel Writing Month. Are you ready?

I’m not.

My outline is miserable, and I’m currently working on a Capstone paper for my final class (if you don’t know what that is, just believe me when I say it’s 20-30 pages of boring). I have maybe four or five characters in this story that are actually interesting, and I know for a fact that it will not be 50,000 words long. So I’m thinking of working on the outline for the second part of my series while I write part one. Easy. But enough about my stress and misgivings. Here’s some advice to help break through your own demonic walls.

  • WRITE. EVERY. DAY.
    • Well, that’s an obvious one. But it’s true. Just write. Write everything. Doesn’t have to be chronological (though it helps me most of the time). Just do it. 1667 words a day and you’ll be smooth sailing by Thanksgiving. Just a head’s up, though: 50K is not really long enough for a novel. There’s a good chance that you’ll hit 50K and say “Wait, I’m not done yet!” Good for you! Keep going until it’s finished!
  • Don’t Revise
    • What?! You read what you wrote yesterday and you don’t like it? TOO BAD. Don’t change it. Otherwise you’ll spend the whole month just nitpicking everything and on the 31st you’ve just rewritten your first day’s words 30 times. It’s tough, I know. The biggest problem with my current idea is that I’ve gone back and changed everything so much that I’m just starting over from scratch tomorrow and disregarding anything I’ve written on it before. So if you want to make a change, make a note and move on. Hell, pretend you made the change but let yourself be reminded to fix anything that needs to be fixed in December (or later).
  • This is a First Draft
    • What does that mean? Well, you aren’t going to wake up in December and just submit this to a publisher, are you? Or just say “Well I typed 50k and got to the end of my story so i’ll just make it an ebook lol.” Shame on you if you thought this was over. You just wrote a book (a very, very, very short book). Now you get to fix it. NOW you get to make it perfect! Everything that bothered you (and I hope you wrote it down instead of fixing it) can now be fixed. Names can be changed, characters can be unwritten, mistakes can be rectified (or added), and every little grammatical problem you notice gets repaired. Because you never use your first draft as your final draft. Now you get to revise and rewrite and reread it. The goal of NaNo isn’t to make something beautiful. It’s to finish with 50k words. What you do after is up to you.
  • Have Fun
    • Most importantly, don’t kill yourself doing this. You’re not getting paid to do this, so try to have fun and finally get that story out of your brain. If something big happens in real life, you can stop and handle it. But still try to write every day. It might help relieve any real-life stress. But remember, again, this is all for fun.
And that about does it. There are other sites around that give great (better) advice than I, sure. But this is just how I approach it. Do what works for you. But if you’re trying to be a serious writer, remember step one. And it applies to every day. Ever. Not just November. WRITE. EVERY. DAY.
And have fun. Or else.
Also, here’s me at NaNoWriMo.org. You can be my writing buddy and see actual updates on my wordcount before anyone else.
Unless they look at the badge that’s displayed on every page.
Follow

Get every new post delivered to your Inbox.

Join 242 other followers